Welcome to Screenwriting, screenplays, and writing!






· Information


Home
Login
Join
Features
Script Sales
Script Reviews
Hollywood Directory
Forums
Script Swap
Most Popular
Your Reviews
Content
Screenwriter Profiles
Op/Ed
Articles
Interviews
Screenwriting
Take a Class
Writer's Encyclopedia
Logline Maker
Character Maker
Dictionary
Coverage Report
Buy a Book
Contest Guide
Information
Top Screen Site
About SU
Contact
My Account
Advertise




Welcome to Screenwriter's Utopia!




Subscribe: |

ScreenTalk #18: Writing the First Act [TONGIHT, Wednesday evening, 6 PM LA Time! Listen below. CALL IN NUMBER: (646) 716-5193]



ScreenTalk #17: John August Mike RichJohn August’s screenwriting credits include GO, BIG FISH, TITAN A.E., CHARLIE’S ANGELS, and CHARLIE’S ANGELS: FULL THROTTLE. His most recent projects include CHARLIES AND THE CHOCOLATE FACTORY, CORPSE BRIDE and THE NINES. He also maintains a screenwriting-oriented website at johnaugust.com. Mr. August will join us Wednesday, May 20th, 6 PM West Coast time. We will also feature Chris and Devin.



ScreenTalk #15: Mike Rich
Mike RichThis week we are excited to feature professional screenwriter Mike Rich. Mike’s screenwriting breakthrough came in 1998 when his script FINDING FORRESTER was honored by the prestigious Nicholl Fellowship competition. Within weeks it was picked up by Columbia Pictures and was a holiday season release in 2000, starring Sean Connery and directed by Gus Van Sant. Mike’s second screenplay THE ROOKIE starred Dennis Quaid and Rachel Griffiths and was both a commercial and critical success for Disney in 2002. The following year, Mike wrote the script for RADIO which starred Ed Harris, Cuba Gooding Jr. and Debra Winger. He has been a contributing writer on MIRACLE EIGHT BELOW and “INVINCIBLE Mike’s most recent works include MANHUNT a historical piece on the search for Lincoln assassin John Wilkes Booth, “The Nativity Story,”THE NATIVITY a feature film on the Christmas story starring Keisha Castle Hughes and Oscar Isaac, and SECRETARIAT a feature film currently in development at Disney. Mike and his wife Grace continue to make their home in the Portland area.

Listen to the show:



INTERVIEW: A Work in Progress: Frank Darabont on Writing
BY FRED TOPEL

DVD fans have waited five years since THE SHAWSHANK REDEMPTION first came out for a proper special edition treatment. Now, for the film’s 10th anniversary, writer/director Frank Darabont has put together two discs of commentary and interviews. Darabont was generous enough to speak with SU about the re-release. Originally scheduled for 10 minutes, he offered to extend it to 30, so we had plenty of time to discuss writer’s issues, THE SHAWSHANK REDEMPTION and his recent rewrite work on high profile projects like INDIANA JONES 4 and MISSION: IMPOSSIBLE 3.

More Interviews with Professional Writers [click here]

CRAFT:Screenwriting Craft: Making Screenplays Vertical
BY CHARLES DEEMER

Hollywood loves buzzwords, and one of the latest is "vertical," as in make your screenplays vertical. Like many buzzwords, this one is based on a fundamental truism: it is easier to read a manuscript that is "vertical" with lots of white space on the page than one that has great text density.

More Articles on the Craft of Screenwriting [click here]

PARTNERS

4th Annual Screenplay Shootout

Driven by its success in discovering promising writers, the Shootout has rapidly become a reliable source for new screenwriting talent. Since its debut, the competition has seen finalists secure high-profile representation and production deals. The Shootout serves up over $8,500 USD in cash and prizes, plus valuable exposure. The top five scripts will be read and considered by top agents, managers, and green-lighters from such companies as Benderspink, Foremost Films, The Radmin Company, and Energy Entertainment, among others. For more information visit Click Here

4 Screenwriters Institute

Professional classes designed by professional and working writers. Select from "Your First Screenplay" to "How to Sell" and everything in between: "First Ten Pages," "Screenwriting 101," "Character Development," and much more. For more information, visit: Click Here

Your Ad Here


CRAFT: Action/Thriller Writing: The DIE HARD Method
Think back to the mid-90s and after DIE HARD and LETHAL WEAPON became big hits and established a new genre of Action/Thriller writing. Looks at this list of films that went into development immediately after DIE HARD became big.

MARKET: Pitch Perfect - NEW!
Each year, thousands of spec scripts are written. Many of these scripts are written by established screenwriters who have agents and/or managers and an existing track record, all of which aids in actually getting someone to read the script.

MARKET: You’re an Idiot: Making Value from Reaction to your Screenwriting
If you’re like me, if someone doesn’t like something about my screenplay, my very first reaction is always the same.
MARKET: The Construction of a Pitch
It seems a cruel irony, after months and months of carefully plotting story, creating vivid characters and structuring a hundred and twenty pages in such a way for maximum dramatic impact, that screenwriters must become orators if they are to convince anyone to read their screenplay.

MARKET: P.O.V. - All About Coverage
Coverage seems to get a pretty bad wrap from writers. It seems that there is a general consensus among writers that coverage is part of a dark conspiracy against them. Often, they are wary of the qualifications of readers and feel that coverage is a hindrance, not a help, to the process.

CRAFT: Understanding Spec Scripts
A number of readers responded to my last column on Verticality and raised several interesting issues, most of which relate to a confusion about the nature of spec scripts.

OLD SCHOOL to NEW SCHOOL: A New Take on Screenwriting Manuals
It’s time to consider something besides the Old School approach to screenwriting. The books that I’m about to categorize as Old School were the books I first read in the early 1990s when I started writing. They are good books, great books, and today still offer plenty to the screenwriter, just not enough anymore.



Ask an Executive

Ask your questions (here), and get an answer from a Hollywood Creative Executive! You know, the guys we love to hate.


SU's Departments





Script Notes
·  Weekend box office: NEW MOON opens to massive $140.7 million
· Script Sales: November 1-21, 2009
· Weekend box office: 'Christmas Carol' weak, 'Precious' soars
· Script Sales: August/September, 2009
· Script Sales: July/August 2009
· Script Sales: Week of June 9, 2009
· Weekend Box Office Top Ten for May 29-31, 2009
· Script Sales: Week of May 24, 2009
· Script Sales: Week of May 10, 2009
· Script Sales: Week of May 1, 2009

More in News...

Script of the Moment
TEMPTING SNOW by paleace Not Rated
101 pages, Action
Screenplay Type: Feature-Length Film
File Format: Rich Text
An ex-ski instructor's decision to raise his orphaned Goddaughter in a Swiss ski resort leads him into a cocaine war between secret factions of the Vatican.
 
Read more about it in Script Swap...
 

Search



Search on:
Articles/NewsContent
Advanced Search

Photo of the Day


Get the INSIDER
Newsletter for Screenwriters
E-mail address: